WE ADVISE THAT ONLY INVOICES ISSUED BY HERMITAGE FINE ART ARE TO BE CONSIDERED VALID. PLEASE READ OUR TERMS & CONDITIONS
1. All lots marked with the symbol ⊕ “plus (+)” are under temporary importation and are subject to import tax (5.5%) (EU) and administrative customs broker fees (235 Euro + VAT). For details see General terms and conditions: Lots : 187, 188, 189, 190, 191, 192, 193, 194
2. The following lots are subject to Artist's Resale Right (an additional 3% will be added to hammer price). (Authors of original works of art are entitled to a royalty each time one of their works is resold through an art market professional): Lots : 124, 125, 126, 127, 128, 137, 141, 142, 143, 145, 146, 148, 157, 159, 162, 207, 218
We kindly advise our clients that temporarily we do not accept wire transfers from the Russian Federation.
Due to Council Regulation (EU) 2022/428, the delivery of lots to the Russian Federation is temporarily suspended.
We closely monitor the situation and will keep you updated about any further developments.
|
LOT 116:
ALBERT-MARIE LEBOURG (1849-1928) Notre Dame. Vue prise du Pont de la Tournelle
plus...
|
|
|
Prix de départ:
€
25,000
Prix estimé :
€25,000 - €30,000
Commission de la maison de ventes: 25%
TVA: 20% Seulement sur commission
Les utilisateurs venant de pays étrangers peuvent être exempts de payer des taxes, selon les réglementations de taxation correspondantes
|
ALBERT-MARIE LEBOURG (1849-1928) Notre Dame. Vue prise du Pont de la Tournelle
signed, inscribed and dated ‘A Lebourg Paris Dec 79’ (lower left), inscribed ‘Notre Dame Vue prise du Pont de la Tournelle’ (lower right)
oil on canvas
64 x 92 cm
Painted in Paris in 1879
French impressionist painter Albert Marie LEBOURG (1849-1928) studied at the Ecole des Beaux Arts of Rouen.
Lebourg was close friends with Victor Delamare and Gustave Morin, and started drawing with charcoal and painting by the Seine in his hometown – Montfort- sur-Risle. As a professor in Algiers around 1875, he was astonished by his surroundings and focused on the exploration of colour and light.
He discovered the white city with its nuances of various shades. With his distinctive brushstroke, he started to paint winter views dominated by the color white, like this snowy view of Notre Dame, signed and dated on the lower left — a good representation of his style, featuring different soft shades of white pastel colors.
